Cristian Vogel is a composer of electronic music who has been at it since the late 1980s, pumping out a seemingly endless amount of tracks full of avant grade-influenced techno and pop, as well as music for dance, film, sound art and whatever else strikes his fancy. His latest album, the depressingly atmospheric Eselsbrucke, opens with “Invisible Planets,” which borrows a few lines from the movie My Dinner With Andre that describe the pretty good possibility that artificial intelligence / robots will take over the Earth, leaving small pockets of savage humanity cowering in the shadows. After a short while, Vogel spritzes the speech with a blanket of gleaming, pinging electronics until it’s totally obliterated. Eventually, the clouds clear and the talking wins out, as the speaker is caught ordering an espresso at a cafe, which completely deflates the menacing mood established at the beginning. Insert a chuckle here. “Caswels Genius Stack” descends into the hazy house of a homely handmaiden, while “Mount the 137” blows synth bubbles all around your noggin with the help of a lone, muted beat, then treats you to the worst kind of aluminum-drenched hangover that definitely coats, but will never soothe or protect. “Snaker” slithers along, boasting more glimmering, reverb-soaked synth stabs and squeaky percussion knocks. “Ballad” falls further into the handmaiden’s dark boiler room without a flashlight, bumps into walls and knocks over stuff–all with the reverb turned up to 111.